Newly Discovered Le Brun Masterpiece Heads to Auction

“The Sacrifice of Polyxena” by famed French artist Charles Le Brun, was only recently discovered hanging in the Coco Channel Suite of Paris’ Hotel Ritz.

“The Sacrifice of Polyxena” by famed French artist Charles Le Brun, was only recently discovered hanging in the Coco Channel Suite of Paris’ Hotel Ritz.

PARIS—A previously unknown painting by celebrated 17th-century French artist Charles Le Brun recently discovered hanging in a grand suite of a Paris hotel will be auctioned by Christie’s in April.

The work, “The Sacrifice of Polyxena,” was discovered in Paris’ Hôtel Ritz in the Coco Channel Suite. The nature of the piece was recognized only recently by the Ritz’s art advisor, Joseph Friedman, and fellow consultant Wanda Tymowska. Leading French museums have since unanimously supported its attribution.

The Ritz archives have not revealed how the painting came to the hotel or when it was first installed, however some speculate the painting was already in the townhouse when César Ritz acquired it in 1898.

Charles Le Brun (1619-1690) is known as Louis XVI’s favored artist and is considered to be one of the most important painters in the history of French art. He was named Chancellor for Life of the Académie Royale and First Painter to the King and contributed to the creation of the royal palace of Versailles.

The painting, which is monogrammed by Le Brun and dated 1647, represents a turning point in Le Brun’s career. He had recently returned to Paris from a three-year sojourn in Rome, where he studied the paintings of Raphael and came under the influence of Nicolas Poussin (1594-1665), whose severe classicism marked a new chapter in European painting.

The “Sacrifice of Polyxena” displays the profound impact of Poussin’s art on Le Brun’s style, as it shows the artist’s fidelity in reproducing the antiquities of Imperial Rome. Details within the piece show bronze vase, tripod and marble sarcophagus that ornament the scene, and the incense casket, which is taken from a drawing made by Le Brun in Rome after an antique prototype.

The painting, valued at $400,000 to $675,000 (€300,000 to €500,000) will come to auction on April 15 at Christie’s Old Masters and 19th Century Art Auction in Paris.







12/2/2012 MILWAUKEE — “Red Nose” just meant a reindeer named Rudolph to Karen Mallet until she bought a print by that name for $12.34 at a Goodwill store in Milwaukee. It turned out to be a lithograph by American artist Alexander Calder worth $9,000.

Mallet’s good fortune is at least the fourth time in six months that valuable art has turned up at Goodwill, where bargain-hunters search for hidden treasure among the coffee cups, jewelry, lamps and other household cast-offs.

Last month a Salvador Dali sketch found at a Goodwill shop in Tacoma, WA, sold for $21,000. Last summer, a North Carolina woman pocketed more than $27,000 for a painting she bought for $9.99 at Goodwill. And last spring, a dusty jug donated in Buffalo, N.Y., was discovered to be a thousands-of-years-old American Indian artifact – it was returned to its tribe instead of being offered for sale.

When told of the Milwaukee woman’s find, a Goodwill spokeswoman said workers at its 2,700 stores try to spot valuables and auction them on the organization’s online auction site to net more money for the charitable group. But things slip through the cracks and the workers aren’t art experts.

“That’s kind of part of shopping at Goodwill – the thrill of the hunt,” said Cheryl Lightholder, communications manager for Goodwill in southeastern Wisconsin. “You never know what you’re going to find.”

Mallet, a media relations specialist for Georgetown University and others, didn’t even like “Red Nose” when she first spotted it during one of her frequent Goodwill shopping trips in May.

“The big find that day was this great set of steel knives, in a block, for $18.99” by Wolfgang Puck, she said.

But the graphic black-and-white picture was striking. In low-browed terms, it might be described as an abstract image of an ape with a hangover, with spiral swirls for eyes like the ones in cartoons when someone gets punched. A large red nose is the only color.

Then she saw the Calder signature.

“I thought, I don’t know if it’s real or not but it’s $12.99. I’ve wasted more on worse things,” she said. A discount for using her Goodwill loyalty card brought the price down to $12.34.

Once home, she searched the Internet and found similar lithographs by Calder, who died in 1976 and is widely known for his mobiles and abstract sculptures at airports, office towers and other public places. Mallet’s piece was No. 55 of 75 lithographs and was made in 1969.

Jacob Fine Art Inc., in suburban Chicago, recently set its replacement value at $9,000.

“This happens very frequently – you can’t imagine,” the company’s owner, Jane Jacob, said of treasures found at thrift stores. “They don’t know what they have. They’re just not set up to understand art history.”

Lauren Lawson-Zilai, a spokeswoman for Goodwill Industries International Inc. in Rockville, Md., gave these examples of art that Goodwill staff spotted and sold through the auction site:

_ In 2009, a painting by Utah artist Maynard Dixon donated in Santa Rosa, Calif., sold for $70,001.

_ In 2008, a Baltimore-area Goodwill store netted $40,600 from a Parisian street scene painted by Impressionist Edouard-Leon Cortes.

_ In 2006, a Frank Weston Benson oil painting donated anonymously in Portland, Ore., brought in $165,002 – Goodwill's top haul so far.

– RM Auctions, the world’s largest collector car auction house for investment-quality automobiles, will lift the gavel on an exciting series of celebrity vehicles at its highly anticipated Monterey, California sale this week ( August 17–18).Headlining entries boasting celebrity provenance are no less than four vehicles linked to the “King of Cool,” Steve McQueen, including a multi-million-dollar 1968 Ford GT40 Gulf/ Mirage Lightweight Racing Car. Leased by McQueen’s film company, Solar Productions, in 1970, the competition-bred GT40 was used extensively as the camera car in McQueen’s epic Hollywood film Le Mans. Also featured in the same movie and set for RM’s auction spotlight is a 1956 Fiat Series 306/2 Grand Prix Transporter. Commissioned by the Maserati Grand Prix team, it was subsequently used by both Lance Reventlow’s and Carroll Shelby’s race teams before earning a supporting role in Le Mans. The Fiat hauler played three roles in the movie: team transporter for Ferrari, Renault/Mirage, and Porsche.  Other auction lots boasting McQueen provenance include a 1961 Cooper T-56 Mark II Formula Junior Racing Car, owned and successfully raced by McQueen in California in 1962, and an unrestored, extremely well-documented 1953 Hudson Hornet Sedan, which was in McQueen’s possession at the time of his passing in 1980.  Another “star” attraction with top-billing for the RM sale is a coveted 1956 Ferrari 250 GT LWB Berlinetta 14-Louver ‘Tour de France’ that enjoyed a memorable Hollywood turn in the 1960s. Exceptionally rare—it is the first 14-louver Tour de France of just nine examples built—the stunning Tour de France competed in some of the world’s most prestigious events before coming into the possession of Walt Disney Studios. It then co-starred in the 1966 classic The Love Bug alongside “Herbie”, the racing VW Beetle with a soul. The catalogue also includes a 1965 Shelby 427 Competition Cobra, which also enjoyed a brief Hollywood spin in the sixties. Rented by MGM British Studios in early 1966, it was used as a camera car and appeared in many scenes of the hit Formula One film Grand Prix, starring James Garner.